Daniel Canadoce (“Can”) Themba (1924–1968) was born in Marabastad in Pretoria. He studied at Fort Hare University and later moved to Johannesburg, where he worked as a teacher and journalist on Drum magazine. Many of his stories are about the lives of the people in Sophiatown in Johannesburg where he lived. This was a mixed- race suburb which was very vibrant during the 1950s, but it was later destroyed by the apartheid government. In the early 1960s he moved to Swaziland, where he died a few years later.
The narrator is at Dube Station in Soweto on a cold Monday morning, waiting for the train to Johannesburg. All his descriptions of the station and people emphasise his depression, which he feels is shared by all the people around him.
When he gets onto the train he sits opposite a huge man. When the train gets to Phefeni Station a young woman enters the carriage and sits next to the narrator. Soon afterwards a tsotsi jumps onto the train and begins verbally harassing the girl. When the girl reaches her stop and wants to get off the train the tsotsi prevents her and slaps her. She tries to get away from him by jumping over the narrator but the tsotsi follows her.
No one dares to say anything to stop the tsotsi, until an older woman starts shouting at the men and calling them cowards. This causes the tsotsi to swear at the woman. This angers the huge man sitting opposite the narrator and he gets up and moves towards the tsotsi.
The tsotsi pulls out a knife and cuts the big man’s chest and arm. The big man is enraged and, in spite of his injuries, he grabs the tsotsi and lifts him up. He throws him out of the train window.
Everyone is shocked, but the incident soon becomes just another event on the morning Dube train.
The title focuses on the train journey rather than on any characters in the story. The writer intends us to see the train journey as a comment on the lives people experience. Even when bad things happen people just accept them. The incident on the train happens to people no one knows or is concerned about. It soon becomes:
Just an incident in the morning Dube train.
The main themes of this story are:
The train passengers do not at first take action when they are faced with gangsterism and violence. Nobody stops the tsotsi from harassing the girl, or prevents the tsotsi from stabbing the big man, or stops the man from flinging the tsotsi out of the window. The large man who takes action against the tsotsi also behaves in a violent way, which is not a solution to the social problem of crime.
Perhaps the writer is saying that violence has become so common that people no longer see it as a problem:
too many passengers had seen too many tragedies to be rattled by this incident.
People have become so used to violence that they are not shocked by such incidents. They consider them as a break in their dull lives. Although the narrator is also guilty of not getting involved, the writer uses him to convey the message that the people are too used to crime and too passive to fight against it.
The story takes place at the Dube station and on the Dube train. It is on the train trip from Dube to Johannesburg that the events involving the girl, the tsotsi and the huge man take place.
The narrator links the train trip with life in general:
the prospect of congested trains filled with sour-smelling humanity, did not improve my impression of a hostile life directing its malevolence plumb at me.
At the beginning of the story the narrator gives a description of the environment at the station and the people who, like him, feel depressed on that Monday morning. The faceless, nameless people add to his feeling of despair.
When the narrator gets on to the train he describes the passengers more individually. The writer describes the huge man who sits opposite him, a young girl who gets on the train later and a tsotsi who sees the girl and comes to harass her.
The tsotsi’s harassment of the girl is the complication in the story. It creates the rising tension, to the point where the huge man gets up to intervene, after the tsotsi insults a woman who yells at the men nearby to stop the tsotsi. When the tsotsi draws a knife it creates panic in the carriage:
the woman shrieked and men scampered on to seats.
The climax of the story occurs when the tsotsi stabs the big man who confronts him. The man then picks the tsotsi up and flings him out of the train window.
The story ends with a negative and disturbing resolution because, although the problem with the tsotsi has been dealt with, the violent action of the man is also a criminal act. The narrator of the story comments at the end of the story:
Odd, that no one expressed sympathy for the boy or the man.
The main characters in the story are people who are part of the crowd on the train:
The men in the carriage “winced. They said nothing, merely looked around at each other in shy embarrassment”. It is only when the tsotsi swears at the woman, that the huge man becomes offended and takes action. He does not react when the young girl is being harassed.
In the story the huge man, the girl and the shouting woman act as protagonists. The tsotsi is the antagonist as he is in opposition to them. It is the tsotsi’s actions that drive the events that take place on the train.
The narrator of the story notices what is going on with the tsotsi and the girl, as well as all the details of the train journey. The events in the carriage are viewed between station stops. At one point the narrator gives a long description of a bridge and the view of the city skyline, which looks attractive after “the drab, chocolate-box houses of the township, monotonously identical row upon row”.
The writer uses township slang and dialect as ways to indicate the atmosphere of the life he is describing. “Tsotsi”, “Sies” and “Hela, Tholo, my ma hears me, I want that ten-’n-six!” are examples of slang. In the story slang is used by the tsotsis to communicate with each other. It sets the tsotsis apart from the other passengers. The narrator says of their exchange of words:
The gibberish exchange was all in exuberant superlatives.
The narrator tells the story in the first person. He refers to himself as “I”.
The way the writer uses language in the story helps to express meaning.
For example, the description of the big man on the train is significant as it helps us build up a picture of him:
a hulk of a man ... The neck was thick and corded, and the enormous chest was a live barrel that heaved back and forth.
With this metaphor of the man’s chest being an enormous live barrel we have an image of how huge he was and don’t question his ability to lift up and throw the boy later.
The writer’s description of the ‘blue’ Monday includes phrases such as “hostile life”, “the grey aspect around me”, “savagery of the crowd” and “all was wrong with the world”, which give the impression of a dreary day which matches his depression.
The writer uses figurative language to describe the scene and the characters:
From the start of the story the writer gives us a picture of a dreary Monday morning at the station. The narrator surveys the scene with displeasure; the tone of his thoughts conveys a feeling of gloom:
Despairing thoughts of every kind darted through my mind: the lateness of the trains, the shoving savagery of the crowd, the grey aspect around me.
The tone of gloom and despair is continued when the narrator is seated on the train:
the other passengers, looking Monday-bleared, had no enthusiasm about them. They were just like the lights of the carriage – dull, dreary, undramatic.
The writer emphasises how bored and depressed the passengers on the train usually are by contrasting this with how they behave at the end of the story:
[They] break out into a cacophony of chattering.
They were just greedily relishing the thrilling episode of the morning.”
The writer emphasises the fact that people are so used to violence, that they are not so much shocked as excited by what happened on the train. This creates a tone of excitement.
Mood: How does this story make you feel? Happy, sad, angry or indifferent? What are the reasons it makes you feel this way?
Read the extract below and answer the questions that follow.
[The narrator describes a typical Monday morning.]
The morning was too cold for a summer morning, at least to me, a child of the sun. But then on all Monday mornings I feel rotten and shivering, with a clogged feeling in the chest and a nauseous churning in the stomach. It debilitates my interest in the whole world around me. |
Answers to Activity 11
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Read the extract below and answer the questions that follow.
[The narrator describes the reactions of the passengers.]
Our caveman lover was still at the girl while people were changing from our train to the Westgate train in New Canada. The girl wanted to get off, but the tsotsi would not let her. When the train left the station, he gave her a vicious slap across the face so that her beret went flying. She flung a leg over me and rolled across my lap in her hurtling escape. The tsotsi followed, and as he passed me he reeled with the sway of the train. |
Answers to Activity 12
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Words to know
Definitions of words from the short story: | |
nauseous | feeling sick |
hostile | unfriendly |
congested | very full |
malevolence | haostility |
fluke | lucky chance |
lackluster | lifeless |
obtrusive | interfering, in the way |
genie | magical spirit |
nefarious | wicked |
ditty | little song |
titillating | pleasing |
lechery | lust |
bawdiness | vulgarity |
precocious | maturing early |
anticipation | expectation |
nonchalantly | casually |
exuberant | lively, high-spirited |
superlatives | highest order or degree |
ungallant | not gentlemanly |
confluence | coming together |
tirade | verbal abuse |
poltroons | cowards |
lewd | vulgar |
helter-skelter | disorderly behaviour |
berserk | mad |
demonical | behaving badly |
cacophony | loud noise |
relishing | enjoying |
harass | torment, molest |
passive | resigned, enduring |
monotonously | repetitively, unchangingly, boringly |