DESIGN
PAPER 1
GRADE 12
AMENDED SCE PAST PAPERS AND MEMOS
MAY/JUNE 2018
INSTRUCTIONS AND INFORMATION
SECTION A: DESIGN LITERACY
QUESTION 1: 'UNSEEN' EXAMPLES
Answer EITHER QUESTION 1.1 OR QUESTION 1.2.
1.1
FIGURE A: Bronze, Copper and Turquoise Pendant by Mike Edelman (Maryland, USA), 2016.
Discuss FIGURE A by referring to the following:
OR
1.2
FIGURE B: Heraldic Mielie Pattern Wallpaper design by Quagga (South Africa), 2012.
Analyse the use of the following in FIGURE B above:
QUESTION 2: COMMUNICATION THROUGH DESIGN
FIGURE C: Makarapa by Plan International (South Africa), 2015.
2.1 Identify THREE symbols in FIGURE C above and discuss their possible meanings. (6)
2.2 Explain the message of the poster in FIGURE C above with reference to the term cultural diversity. (4) [10]
QUESTION 3
Answer EITHER QUESTION 3.1 OR QUESTION 3.2.
3.1 Refer to FIGURE D and FIGURE E below and answer the questions that follow.
FIGURE D: Bridal Comb by Asante artist (Ghana), 1932.
FIGURE E: Pearl Filigree Wedding Hair Comb by Highland Angel (Scotland), 2016.
Write an essay (at least ONE page) in which you compare FIGURE D with FIGURE E.
Refer to the following in your comparison:
OR
3.2
FIGURE F: Bacchus Temple, architect unknown (Baalbek, Lebanon), 3rd century CE.
Detail of Bacchus Temple, architect unknown (Baalbek, Lebanon), 3rd century CE.
FIGURE G: Mainz Synagogue by Manuel Hertz Architects (Germany), 2010.
Detail of Mainz Synagogue by Manuel Hertz Architects (Germany), 2010.
Write an essay (at least ONE page) in which you compare the Classical temple in FIGURE F with the contemporary synagogue (Jewish place of worship|) in FIGURE G above. Alternatively, you may compare any Classical building with any contemporary building that you have studied.
Refer to the following in your comparison:
TOTAL SECTION A: 30
SECTION B: DESIGN HISTORY QUESTION 4
4.1
To design is much more than simply to assemble, to order, or even to edit: it is to add value and meaning, to illuminate, to simplify, to clarify, to modify, to dignify, to dramatize, to persuade, and perhaps even to amuse. –Paul Rand |
Choose any TWO movements from the list below that reflect the quote above.
Write an essay (at least TWO pages) in which you discuss how EACH movement reflects the quote above.
Support your answer by referring to:
4.2
FIGURE H: Bugatti Type 57, Art Deco (Italy), 1934 to 1940.
FIGURE I: Cadillac Eldorado, Pop Design (USA), 1959.
Write a comparative essay (at least ONE page) in which you discuss how FIGURE H and FIGURE I are characteristic of the design movements they represent.
Refer to the following to support your answer:
SECTION C: DESIGN IN A SOCIOCULTURAL/ENVIRONMENTAL AND SUSTAINABLE CONTEXT
QUESTION 5
Answer EITHER QUESTION 5.1 OR QUESTION 5.2.
5.1
€35 = approximately R455,00; €6,50 = R84,50
€24 = R312,00; €6,50 = R84,50
FIGURE J: Why You Can't Make It Rain Social Awareness Campaign by Saatchi & Saatchi (Netherlands), 2007.
5.1.1 Explain how the social message in the posters in FIGURE J is communicated. Refer to the following:
5.1.2 Write an essay (at least TWO pages) in which you discuss the work of ONE South African contemporary designer/design group
AND ONE international contemporary designer/design group who address sociocultural issues in their work.
Refer to the following in your discussion:
OR
5.2
5.2.1 Write an essay (at least ONE page) about an indigenous traditional craft that is practised in South Africa.
Refer to the following in your essay:
5.2.2 Write an essay (at least ONE page) on any ONE South African contemporary designer/design group who adapts traditional craft techniques/materials for modern usage.
Use the following structure when answering the question:
You may NOT refer to any designer/design group that you discussed previously or design examples that appear in this question paper. (10) [20]
QUESTION 6
6.1
FIGURE K: Plastic Pollution Campaign by Surfrider (Europe), 2012. The 'food' above represents sushi rolls, Japanese seafood.
6.1.1 Discuss how the environmental warning is highlighted by the poster in FIGURE K above. (4)
6.1.2 Do you think that a poster campaign can be effective in bringing about behavioural change? Substantiate. (2)
6.2 Write an essay (at least ONE AND A HALF pages) in which you discuss the work of ONE South African contemporary designer/design group/studio and ONE international contemporary designer/design group/studio whose work addresses environmental/sustainable concerns.
Refer to the following in your discussion:
You may NOT refer to any designer/design group that you have discussed previously or design examples that appear in this question paper. (14) [20]
TOTAL SECTION C: 40
GRAND TOTAL: 100