MUSIC
PAPER 2
GRADE 12
NSC EXAMS
PAST PAPERS AND MEMOS NOVEMBER 2018
Note to the marker: Candidates must be credited for any correct answers not given in the marking guidelines. |
SECTION A: AURAL
QUESTION 1
1.1 Listen to the melodic and rhythmic phrase. Notate the rhythm of the missing notes in bars 2–3 below.
Answer:
(3)
1½ mark per bar as indicated = 3 marks |
1.2 Which ONE of the notations below best represents the solo voice part? Make a cross (X) in the appropriate block.
(1) [4]
QUESTION 2
Listen to the extract below and answer the questions that follow.
2.1 Name the interval formed between the Db note and the missing note in bar 24.
2.2 Which type of non-chordal note do you hear in bar 54?
2.3 Name the cadence at bars 11 to 12.
2.4 Listen to the music from bars 1 to 6. Some of the notation in bar 4 has been omitted from the score. Fill in the missing pitches and note values that correspond with the music that you hear.
Correct pitches and note values = ½ mark each No mark for correct pitch or note value only |
2.5 Name the solo instrument that plays the melody line in this extract.
TOTAL SECTION A: 10
SECTION B: RECOGNITION OF MUSIC CONCEPTS
QUESTION 3: GENERAL LISTENING (COMPULSORY)
Listen to the following tracks and answer the questions that follow.
Note to marker: if a candidate selected more items than requested, only the first answers must be marked. |
3.1 With which items in COLUMN A do you associate the music that you hear in Track 7? Make a cross (X) in THREE appropriate blocks.
Answer:
COLUMN A | Track 7 |
Chromatic passage | X |
Adagio | |
Duet | |
Allegretto | X |
String and wind quartet | |
Major key | X |
String quartet | X |
3x1 = 3 marks |
3.2 Which ONE of the following statements is correct? Make a cross (X) in the appropriate block.
Answer:
Statement | |
The extract consists of a motif, an imitation and an imperfect cadence | X |
The extract consists of a motif, inversion and an imperfect cadence | |
The extract consists of a motif, repetition and an imperfect cadence |
1 mark |
3.3 With which items in COLUMN A do you associate the music that you hear in Track 9? Make a cross (X) in THREE appropriate blocks.
Answer:
COLUMN A | Track 9 |
Vocal melody starts with an anacrusis | X |
Triple time | |
Quadruple time | X |
Swing/shuffle rhythm | X |
Guitar introduction | |
12-bar blues | |
Syllabic word setting | X |
3x1 = 3 marks |
3.4 With which items in COLUMN A do you associate the music that you hear in Track 10? Make a cross (X) in THREE appropriate blocks.
Answer:
COLUMN A | Track 10 |
Chordal accompaniment | X |
Allegro | |
Simple quadruple | X |
Compound triple | |
Guitar introduction | X |
Straight rhythm | X |
Alto voice | X |
3x1 = 3 marks |
3.5 Choose any TWO items in COLUMN A and identify what you hear, in COLUMN B.
Answer:
COLUMN A | COLUMN B (IDENTIFY) |
Solo instrument | Pennywhistle |
Prominent compositional technique | Repetition |
Musical genre | Kwela |
Texture | Homophonic |
2x1 = 2 marks |
(12 ÷ 3 =) [4]
Answer QUESTION 4 (WAM) OR QUESTION 5 (JAZZ) OR QUESTION 6 (IAM).
QUESTION 4: WAM
4.1 With which ONE of the following characters in COLUMN A do you associate EACH track? Make a cross (X) in the appropriate block for each track.
Answer:
COLUMN A | Track 12 | Track 13 | Track 14 |
Papageno | X | ||
Tamino | X | ||
Sarastro | X | ||
Monastatos | |||
Pamina |
3x1 = 3 marks |
4.2 Give a suitable Italian term to describe the tempo of the music in this extract.
4.3 Name the wind instrument heard at the end of this extract.
4.4 Which item describes the compositional technique used in this extract? Choose from the list below. Make a cross (X) in the appropriate block.
Answer:
(1)
4.5 What is the title of the movement from which this extract is taken?
4.6 Which solo wind instrument plays the melody?
4.7 Which wind instrument plays an accompaniment to this melody at the start of this extract?
4.8 Describe how Beethoven employs the string section in this extract.
Answer:
2x1 = 2 marks |
4.9 Choose THREE statements below that best describe the music that you hear. Make a cross (X) in THREE appropriate block.
Answer:
All instruments play in unison | |
Ascending legato passages | X |
Ascending chromatic scale passages | X |
Ascending chromatic sequences in clarinets | |
Long sustained note | X |
Clarinet solo |
3x1 = 3 marks |
4.10 Write down the title of the work from which this extract is taken.
4.11 Identify from which part of the work this extract is taken. Choose from the list below and make a cross (X) in the appropriate block.
Answer:
Part of work | Answer |
First subject/theme | |
Second subject/theme | |
End of the development | X |
Beginning of the coda |
1x1 = 1 mark |
(16 ÷ 2=) [8]
TOTAL SECTION B: 12
OR
QUESTION 5: JAZZ
5.1 With which FOUR items in COLUMN A do you associate the music that you hear? Make a cross (X) in FOUR appropriate blocks.
Answer:
COLUMN A | Answers |
Mbaqanga | |
Pentatonic | |
Major | X |
Simple quadruple | X |
12-bar blues | |
Cape Jazz | X |
X | |
Kwela | |
Harmonic chord cycle | X |
4x1 = 4 marks |
5.2 Which item describes the melodic movement of the horn section? Make a cross (X) in the appropriate block.
Answer:
Chromatic passage | |
Group improvisation | |
Ascending sequences | |
Descending sequences | X |
1 mark |
5.3 Apart from the drum kit, name ONE other instrument that forms part of the rhythm section in this extract.
5.4 With which one of the South African solo artists do you associate this extract? Make a cross (X) in the appropriate block.
Answer:
5.5 With which THREE items in COLUMN A do you associate the music that you hear? Make a cross (X) in THREE appropriate blocks.
Answer:
COLUMN A | Answers |
Fuses Xhosa songs with blues | |
Abdullah Ibrahim influences | X |
Idiophone | X |
Modal chord progression | X |
Improvisation | |
Ceremonial atmosphere | X |
Answer:
3x1 = 3 marks |
5.6 Describe the role of the piano in this extract.
Answer:
Any TWO correct answers = 2 marks |
5.7 Name the instrument that plays the accompaniment in the introduction of this extract.
5.8 Describe the role of the backing singers.
Answer:
Any TWO correct answers = 2 marks |
5.9 Name ONE group that you associate with this jazz style.
Answer:
Any ONE correct answer = 1 mark |
OR
(16 ÷ 2=) [8]
TOTAL SECTION B: 12
QUESTION 6: IAM
6.1 With which FOUR items in COLUMN A do you associate the music that you hear? Make a cross (X) in FOUR appropriate blocks.
Answer:
COLUMN A | Answer |
Mbaqanga | |
Modal | X |
Malombo | |
Umrhube | X |
Ululation | X |
Major | |
Aerophone | X |
Concertina | |
Repetition | X |
4x1 = 4 marks |
6.2 Describe the whistling that you hear.
Answer:
Any correct answer = 1 mark |
6.3 Write down a suitable term to describe the rhythmic feature in the accompaniment.
Answer:
Any correct answer = 1 mark |
6.4 With which THREE items in COLUMN A do you associate the music that you hear? Make a cross (X) in THREE appropriate blocks.
Answer:
COLUMN A | Answer |
Blues | |
Batswana | X |
Idiophone | X |
Malombo drum | |
Chord cycle | X |
Tshikona |
Correct answers = 3 marks |
6.5 Identify the differences between Track 29 and Track 30. Choose only TWO items in column A for your comparison.
Answer:
COLUMN A | Track 29 | Track 30 |
Introduction | Organ/Keyboard prominent | Guitar prominent ` |
Drum kit enters later during the introduction | Drum kit features from the beginning | |
Voice type | Male singers only (solo and backing vocals) | Female singers (SSA) and a solo male singer (baritone/Idoshaba/Umngqokolo) |
Tempo/Beat | Relaxed beat | Energetic driving beat |
(Medium tempo) | (Fast tempo) |
Any TWO correct correlated differences = 2 x 2 = 4 marks No marks awarded if direct comparison is not made |
6.6 Name the style that you associate with both extracts.
6.7 With which artists/bands do you associate each track?
Answer:
2x1 = 2 marks |
(16 ÷ 2=) [8]
TOTAL SECTION B: 12
SECTION C: FORM
QUESTION 7
Read and study the questions for ONE minute.
Listen to the piece below while you study the score.
7.1 Name the form type of this piece?
7.2 Motivate your answer to QUESTION 7.1 by giving a schematic layout of the form of this piece. Use the table below.
Answer:
Section | Bar numbers |
A | 1–8 or 04–83 |
B | 84 – 163 |
1 mark for each correct section = 2 marks 1 mark for correct bar numbers of each section = 2 marks |
7.3 Name the texture type of this extract.
7.4 What is the function of the F natural in bar 8?
Answer:
Any correct answer = 1 mark Modulation = ½ mark |
7.5 Which ONE of the following features is used in this piece? Make a cross (X) in the appropriate block.
Answer:
(1) [8]
TOTAL SECTION C: 8
GRAND TOTAL: 30