INSTRUCTIONS AND INFORMATION 
Read this page carefully before you begin to answer the questions. 

  1. Do NOT attempt to read the entire question paper. Consult the TABLE OF  CONTENTS on the next page and mark the numbers of the questions set on  texts you have studied this year. Read these questions carefully and answer  as per the instructions.
  2. This question paper consists of FOUR sections:
    SECTION A: Novel (35)
    SECTION B: Drama (35)
    SECTION C: Short Stories (35)
    SECTION D: Poetry (35)
  3. Answer questions from TWO sections, as follows:
    SECTION A: NOVEL
    Answer the question on the novel you have studied.
    SECTION B: DRAMA
    Answer the question on the drama you have studied.
    SECTION C: SHORT STORIES
    Answer the questions set on BOTH extracts.
    SECTION D: POETRY
    Answer the questions set on BOTH poems.
    Use the checklist on page 4 to assist you. 
  4. Follow the instructions at the beginning of each section carefully.
  5. Number the answers correctly according to the numbering system used in  this question paper.
  6. Start EACH section on a NEW page.
  7. Spend approximately 60 minutes on each section. 
  8. Write neatly and legibly.

SECTION A: NOVEL 
Answer ANY ONE question on the novel you have studied.

   

QUESTION 

QUESTION 

MARKS 

PAGE

1. 

Cry, the Beloved Country 

Contextual questions 

35 

5

 

OR

2. 

Strange Case of Dr Jekyll and  Mr Hyde

Contextual questions 

35 

9

SECTION B: DRAMA 
Answer ANY ONE question on the drama you have studied.

3. 

Macbeth 

Contextual questions 

35 

13

 

OR

4. 

My Children! My Africa! 

Contextual questions 

35 

17

SECTION C: SHORT STORIES 
Answer questions set on BOTH short stories.

5.1 

‘Transforming Moments’ 

Contextual question 

18 

21

 

AND

5.2 

‘The Last Breath’ 

Contextual question 

17 

23

SECTION D: POETRY 
Answer the questions set on BOTH poems.

6.1 

‘Alexandra’ 

Contextual question 

18 

25

 

AND

6.2 

‘Death’ 

Contextual question 

17 

27

CHECKLIST 
NOTE: 

  • Answer questions from ANY TWO sections. 
  • Tick (✓) the sections you have answered. 

SECTION 

QUESTION NUMBERS

NO. OF QUESTIONS  TO ANSWER

TICK 

(✓)

A: Novel 

1–2 

1

 

B: Drama 

3–4 

1

 

C: Short Stories 

1

 

D: Poetry 

1

 

NOTE: Ensure that you have answered questions on TWO sections only.

QUESTIONS

SECTION A: NOVEL 
In this section, questions are set on the following novels: 

  • CRY, THE BELOVED COUNTRY by Alan Paton 
  • STRANGE CASE OF DR JEKYLL AND MR HYDE by Robert Louis Stevenson

Answer ALL the questions on the novel that you have studied. 
QUESTION 1: CRY, THE BELOVED COUNTRY 
Read the extracts from the novel below and answer the questions set on each.  The number of marks allocated to each question serves as a guide to the  expected length of your answer. 
NOTE: Answer the questions set on BOTH extracts, i.e. QUESTION 1.1 AND  QUESTION 1.2. 
1.1 EXTRACT A 
[Stephen Kumalo and Msimangu are looking for Kumalo’s sister.] 

-That is the building of the Bantu Press, our newspaper. Of course, there  are Europeans in it too, and it is moderate and does not say all that could  be said. Your brother John thinks little of the Bantu Press. He and his  friends call it the Bantu Repress. 
 So they walked till they came to Claremont and Kumalo was 5 shocked by its shabbiness and dirtiness, and the closeness of the houses,  and the filth in the streets. 
 -Do you see that woman, my friend? 
 - I see her. 
 - She is one of the queens, the liquor sellers. They say she is one of 10 the richest of our people in Johannesburg. 
 - And these children? Why are they not at school? 
 -Some because they do not care, and some because their parents do  not care, but many because the schools are full.  
 They walked down Lily Street, and turned off into Hyacinth Street, 15 for the names there are very beautiful. 
 -It is here, brother. Number eleven. Do you go in alone? 
 - It would be better. 
 -When you are ready, you will find me next door at number  thirteen. 20 There is a woman of our church there, and a good woman who tries with  her husband to bring up good children. But it is hard. Their eldest  daughter whom I prepared for confirmation has run away. 

[Book 1, Chapter 6]

1.1.1 Complete the following sentences by using the words in the list below.  Write only the word next to the question numbers 1.1.1(a)–1.1.1(d) in  the ANSWER BOOK. 

priest; nurse; Sophiatown; lawyer; Claremont; 
Mrs Lithebe; Gertrude; prostitute  

This chapter is set in (a) …. Msimangu takes Stephen Kumalo to  where (b) … lives. Stephen Kumalo being a (c) … feels ashamed by  his sister who is a (d) … (4) 
1.1.2 Why is Kumalo looking for his sister? (1) 
1.1.3 Using your OWN words, explain why Stephen Kumalo is shocked in  line 6. (1) 
1.1.4 Explain why John Kumalo and his friend call the newspaper ‘Bantu  Repress’. (1) 
1.1.5 Refer to line 12 (‘And these children ... not at school’). 

  1.  Identify the tone Kumalo uses in this line. (1)
  2. Why is Kumalo’s tone appropriate in this line? (2)

1.1.6 Refer to line 15 (‘They walked down … into Hyacinth Street’). What is ironic about the names of the streets? (2) 
1.1.7 One of the themes in the novel, Cry, the Beloved Country, is urban  versus rural life. Discuss this theme. (3) 
1.1.8 Do you think Gertrude’s way of living is justified? Discuss your view. (3)
AND 
1.2 EXTRACT B 
[Kumalo visits the chief.] 

Kumalo climbed the hill to the place of the chief and was told to wait.  This was no strange thing, for if he wished a chief could tell a man to wait  simply because he was a chief. If he wished he could tell a man to wait  while he idly picked his teeth, or stared out day-dreaming over a valley.  But Kumalo was glad of the chance to rest. He took off his coat and sat  5 in the shade of a hut, and pondered over the ways of a chief. For who  would be chief over this desolation? It was a thing the white man had  done, knocked these chiefs down, and put them up again, to hold the  pieces together. But the white men had taken most of the pieces away.  And some chiefs sat with arrogant and blood-shot eyes, rulers of pitiful  10 kingdoms that had no meaning at all. They were not all like this; there  were some who had tried to help their people, and who had sent their sons to schools. And the government had tried to help them too. But  they were feeding an old man with milk, and pretending that he would  one day grow into a boy. Kumalo came to himself with a start and  15 realised how far he had travelled since that journey to Johannesburg.    

[Book 3; Chapter 2] 

1.2.1 State TWO reasons why Kumalo visits the chief. (2) 
1.2.2 Why is Steven Kumalo not worried when he is asked to wait for the  chief? (2) 
1.2.3 Refer to lines 5–7 (‘He took off … over this desolation’). 

  1. Quote ONE word from these lines to show that Stephen carefully  considers how the chief works. (1)
  2. Explain why Ndotsheni is in ‘desolation’. (2) 

1.2.4 Choose the correct answer to complete the following sentence. Write only the letter (A–D) next to the question number (1.2.4) in the  ANSWER BOOK.  
In lines 7–8 the narrator states that (‘It was a … these chiefs down’). This means that the chiefs were … 

  1. united.
  2. combined.
  3. toppled.
  4. assembled. (1)

1.2.5 Explain the meaning of ‘to hold the … the pieces away’ (lines 8–9). (2)
1.2.6 Why is the following statement TRUE? The chiefs ruled worthless kingdoms. (1)
1.2.7 Refer to lines 13–15 (‘But they were … into a boy’). 

  1. Identify the figure of speech in these lines. (1)
  2. Explain this figure of speech in the context of the novel. (2)

1.2.8 The restoration of Ndotsheni comes too late. Discuss your view. (3) [35]

QUESTION 2: STRANGE CASE OF DR JEKYLL AND MR HYDE 
Read the following extracts from the novel and answer the questions set on each.  The number of marks allocated to each question serves as a guide to the expected  length of your answer.  
NOTE: Answer the questions set on BOTH extracts, that is QUESTION 2.1 and  QUESTION 2.2.  
2.1 EXTRACT C 
[The murder scene.] 

It was two o’clock when she came to herself and called for the police. The  murderer was gone long ago; but there lay his victim in the middle of the  lane, incredibly mangled. The stick with which the deed had been done,  although it was of some rare and very tough and heavy wood, had broken in  the middle under the stress of this insensate cruelty; and one splintered half 5 had rolled in the neighbouring gutter – the other, without doubt, had been  carried away by the murderer. A purse and a gold watch were found upon  the victim; but no cards or papers, except a sealed and stamped envelope,  which he had been probably carrying to the post, and which bore the name  and address of Mr Utterson. 10 
 This was brought to the lawyer the next morning before he was out of bed;  and he had no sooner seen it, and been told the circumstances, than he shot  out a solemn lip. ‘I shall say nothing till I have seen the body,’ said he; ‘this  may be very serious. Have the kindness to wait while I dress.’ And with the  same grave countenance he hurried through his breakfast and drove to the  15 police station, whither the body had been carried. As soon as he came into  the cell he nodded.  

 [The Carew Murder Case] 

2.1.1 Complete the following sentences by using the words in the list  below. Write only the word next to the question numbers  
(2.1.1(a)– (2.1.1(d)) in the ANSWER BOOK.  

notable; November; man; woman; October; violent; insignificant; bloodless  

(4) 
Earlier in the month of (a) … a (b) … murder was witnessed by a  (c) … living alone in a house near the river. The murder was mostly  (d) … because the victim was of a high position in society. 
2.1.2 Explain why the maid took such a long time to report the murder to  the police. (1)
2.1.3 Quote TWO consecutive words from line 3 to prove that the body of  the victim was badly beaten. (1) 
2.1.4 Refer to lines 4–5 (‘heavy wood had … insensate cruelty;’) 
Provide evidence from these lines to show that the murder weapon  was of a good quality. Use your OWN words. (1) 
2.1.5 Refer to line 13. (‘I shall say … seen the body’) What does this line suggest about the character of Mr Utterson? (2) 
2.1.6 Give a reason why the police goes to Utterson with the news of  Danver’s murder. (1) 
2.1.7 Give a description of Sir Carew Danvers and Mr Hyde according to  the maid. (2) 
2.1.8 Explain why it is difficult for the police to arrest Mr Hyde as the  murderer. (2) 
2.1.9 Discuss the reliability of the eyewitness’ testimony in this chapter. (3)

AND
2.2 EXTRACT D 
[Utterson and Enfield are taking a walk.] 

The middle one of the three windows was half-way open; and sitting  close beside it, taking the air with an infinite sadness of mien, like  some disconsolate prisoner, Utterson saw Dr Jekyll. 
 ‘What! Jekyll!’ he cried. ‘I trust you are better.’ 
‘I am very low, Utterson,’ replied the doctor drearily, ‘very low. 5  It will not last long, thank God.’ 
 ‘You stay too much indoors,’ said the lawyer. ‘You should be out,  whipping up the circulation like Mr Enfield and me. (This is my cousin  – Mr Enfield – Dr Jekyll.) Come now; get your hat and take a quick  turn with us’. 10  ‘You are very good,’ sighed the other. ‘I should like to very much;  but no, no, no, it is quite impossible; I dare not. But indeed, Utterson, I  am very glad to see you; this is really a great pleasure; I would ask you  and Mr Enfield up, but the place is really not fit. 
 Why then,’ said the lawyer good-naturedly, ‘the best thing we can 15 do is to stay down here and speak with you from where we are.’  
 ‘That is just what I was about to venture to propose,’ returned the  doctor, with a smile. 
 ‘But the words were hardly uttered, before the smile was struck out  of his face and succeeded by an expression of such abject terror. 20   

Incident at the window]  

2.2.1 Refer to lines 2–3 (‘… Like some disconsolate prisoner …’). 

  1. Identify the figure of speech in these lines. (1)
  2. Explain how this figure of speech is relevant in describing Dr  Jekyll. (2)

2.2.2 Refer to line 7 (‘You stay too much indoors.’). 

  1. Give a reason why Utterson is concerned about Dr Jekyll. (1)
  2. What does this line reveal about Utterson’s character? (2)

2.2.3 Refer to lines 11–12 (‘I should like … I dare not’).

  1. Identify Jekyll’s tone in this line. (1)
  2. What does this tone suggest about Jekyll’s state of mind? (2)

2.2.4 Explain why the following statement is FALSE. Jekyll is sick with some blood related disease. (1)
2.2.5 With reference to the entire story, what is Dr Jekyll’s biggest fear? (2)
2.2.6 One of the themes in the novel, Strange Case of Dr Jekyll and Mr Hyde,  is ‘primitive’ and ‘civilised’ society. Discuss this theme. (3) 
2.2.7 With reference to the entire novel, do you think that Jekyll successfully  manages to maintain a good reputation? Discuss your view. (3) [35] 
TOTAL SECTION A: 35

SECTION B: DRAMA 
In this section, there are questions set on the following dramas: 

  • MACBETH by William Shakespeare 
  • MY CHILDREN! MY AFRICA! by Athol Fugard 

Answer the questions on the drama that you have studied. 

QUESTION 3: MACBETH 

Read the extracts from the play below and answer the questions set on each.  The number of marks allocated to each question serves as a guide to the  expected length of your answer. 
NOTE: Answer the questions set on BOTH extracts, i.e. QUESTION 3.1. AND  QUESTION 3.2. 

3.1 EXTRACT E 
[Enter Macbeth and Lady Macbeth.] 

LADY MACBETH:  He has almost supped. Why have you left the chamber? 

MACBETH: Hath he asked for me? 
LADY MACBETH: Know you not he has? 
MACBETH: We will proceed no further in this business. 5
He hath honoured me of late, and I have bought
Golden opinions from all sorts of people, 
Which would worn now in their newest gloss, 
Not cast aside so soon. 
LADY MACBETH: Was the hope drunk 10
Wherein you dressed yourself? Hath it slept since
And wakes it now, to look so green and pale 
At what it did so freely? From this time 
Such I account thy love. Art thou afeard 
To be the same in thine own act and valour 15
As thou art in desire? Wouldst thou have that 
Which thou esteem’s the ornament of life, 
And live a coward in thine own esteem, 
Letting ‘I dare not’ wait upon ‘I would’, 
Like the poor cat i’th’ adage? 20
MACBETH: Prithee, peace. 
I dare do all that may become a man; 
Who dares do more is none? 
LADY MACBETH: What beast was’t then 
That made you break this enterprise to me? 25
When you durst do it, then you were a man; 
And, to be more than what you were, you would
Be so much more the man. Nor time nor place
Did then adhere, yet you would make both. 
They have made themselves, and that their fitness now 30
Does unmake you.  

 [Act 1, Scene 7]

3.1.1 Complete the following sentences by using the words in the list  below. Write only the word next to the question numbers  (3.1.1(a)–3.1.1(d)) in the ANSWER BOOK.  

The witches; envious; bravely; Lady Macbeth; ambitious;  Fife; Cawdor; awkwardly  

After the battle the Thane of (a) … is killed for being a traitor. King  Duncan decides to give his title to Macbeth as a reward for fighting  so (b) … in the battle. Being (c) … Macbeth and (d) … make plans  to kill the king. (4) 
3.1.2 Refer to line 5 (‘We will proceed … in this business’). 

  1. What business is Macbeth referring to? (1) 
  2. Give a reason why he thinks he should not proceed with the  business. (1) 

3.1.3 Refer to line 6 (‘He hath honoured me of late …). With reference to the entire drama, explain the irony contained in this  line. (2) 
3.1.4 Refer to lines 10–11 (‘was the hope … you dressed yourself?’). If you were the stage director of this play, which TWO things would  you tell Lady Macbeth to do? (2) 
3.1.5 Refer to line 20 (‘Like the poor cat i’th adage’). 

  1. The figure of speech in this line is an example of …
    1. metaphor.
    2. simile.
    3. personification.
    4. euphemism. (1)
  2. Why is this figure of speech appropriate when referring to  Macbeth at this point in the drama? (2) 

3.1.6 What does this extract reveal about Lady Macbeth’s character?  Explain your answer. (2) 
3.1.7 Do you sympathise with Macbeth in this extract? Discuss your view. (3)
AND

3.2 EXTRACT F 
[Enter Ross bringing the news from Scotland.] 

ROSS: I have said.  
MALCOLM: Be comforted.  
Let’s make medicines of our great revenge, 
To cure this deadly grief. 
MACDUFF: He has no children. All my pretty ones? 5
Did you say all? O hell-kite! All? 
What, all my pretty chickens and their dam 
At one fell swoop? 
MALCOLM: Dispute it like a man. 
MACDUFF: I shall do so, 10
But I must also feel it as a man.  
I cannot but remember such things were, 
That were most precious to me. Did Heaven look on,
And would not take their part? Sinful Macduff,
They were all struck for thee! Naught that I am, 15
Not for their own demerits, but for mine, 
Fell slaughter on their souls. Heaven rest them now!
MALCOLM: Be this whetstone of your sword; let grief 
Convert to anger; blunt not the heart, enrage it.
MACDUFF: O, I could play the woman with mine eyes, 20
And braggart with my tongue! But, gentle Heavens,
Cut short all intermission; front to front 
Bring thou this fiend of Scotland and myself; 
Within my sword’s length set him. If he ‘scape,
Heaven forgive him too! 25 
MALCOLM: This tune goes manly. 
Come, go we to the King; our power is ready, 
Our lack is nothing but our leave. Macbeth 
Is ripe for shaking, and the powers Above 
Put on their instruments. Receive what cheer you may, 30
The night is long that never finds the day. 

[Act 4, Scene 3] 

3.2.1 Refer to lines 5–8 (‘All my pretty ... one fell swoop?’). 

  1. What do all these questions asked by Macduff reveal about his  state of mind? Give a reason for answer. (2)
  2. Who is ‘He’ referred to in line 5? (1)
  3. Explain the meaning of lines 6–8 (‘O hell-kite … one fell  swoop’). (2) 3.2.2 Refer to line 9. (‘Dispute it like a man’).
    Explain how this advice is later put into practice by Macduff. (2)

3.2.3 In lines 28–29 Malcolm says, ‘Macbeth is ripe for shaking’.

  1. Identify the tone Malcolm uses in this line. (1)
  2. Why is Malcolm’s tone appropriate in this line? (1) 

3.2.4 What character trait does Malcolm and Macduff have in common? Give a reason for your answer. (2) 
3.2.5 One of the themes in the drama Macbeth, is good versus evil.  Discuss this theme. (3) 
3.2.6 Do you think Macduff should be praised for leaving his family to  save his country? Discuss your view. (3) [35]

QUESTION 4: MY CHILDREN! MY AFRICA! 
Read the extracts from the play below and answer the set questions. The  number of marks allocated to each question serves as a guide to the expected  length of your answer. 
NOTE: Answer the questions set on BOTH extracts, i.e. QUESTION 4.1 AND  QUESTION 4.2. 

4.1 EXTRACT G 
[Mr M leaves Thami and Isabel alone after the debate.] 

ISABEL: Well I think he’s wonderful. 
THAMI: He’s okay. 
ISABEL: I had a Geography teacher in standard seven who was a little bit like him. Full of fun and lots of energy. 
THAMI: Ja, that’s Mr M all right. [Pause] 5
ISABEL: I meant what I said to him. I really did have a good time.
THAMI: Same here. 
ISABEL: You did? Because to be honest with you, I wasn’t expecting it.
THAMI: Me neither. 
ISABEL: No? 10
THAMI: Nope. 
ISABEL: Why not? 
THAMI: [Embarrassed] Well … you know. 
ISABEL: Let me guess. You’ve never debated with girls before. [He nods  smiling sheepishly] And white girls at that! I don’t believe it. You 15 boys are all the same. 
THAMI: But you were good! 
ISABEL: Because I happen to feel very strongly about what we were  debating. But it was also the whole atmosphere, you know. It was  so … so free and easy. The debates at my school are such stuffy 20 affairs. And so boring most of the time. Everything is done  according to the rules with everybody being polite and nobody  getting excited … lots of discipline but very little enthusiasm. This  one was a riot! 
THAMI: [Finger to his lips] Be careful. 25
ISABEL: Of what? 
THAMI: That word. 
ISABEL Which one? 
THAMI: Riot! Don’t say it in a black township. Police start shooting as soon  as they hear it. 30
ISABEL: Oh … 
THAMI: [Having a good laugh] I’m sorry. It’s a joke, Isabel. 

[Act 1, Scene 1]

4.1.1 Complete the following sentences by using the words in the list below.  Write only the word next to the question numbers (4.1.1(a)–(4.1.1(d))  in the ANSWER BOOK. 

apartheid; education; Mr Mbikwana; high; lazy; brilliant;  primary; Mr Myalatya  

The drama is about a (a) … schoolteacher named (b) … who is also  known as Mr M. He wants to resist (c) …peacefully. Mr M has one (d)  …student whom he sees as a future leader. (4) 
4.1.2 Choose the correct answer to complete the following sentence. Write  only the letter (A–D) next to the question number (4.1.2) in the  ANSWER BOOK. 

  1. Isabel says in line 6 that she had ‘a good time’ because …
    1. she won the debate.
    2. the students were friendly to her.
    3. everybody was polite.
    4. the atmosphere was exciting. (1)
  2. State the differences between Thami’s school and Isabel’s  school. (2) 

4.1.3 Refer to line 13 (‘[Embarrassed] Well … you know’). 

  1. If you were the director of this play, what would you tell Thami to  do when saying this line? State TWO points. (2)
  2. Using your OWN words, explain why Thami is embarrassed. (2) 4.1.4 Explain why the following statement is FALSE.
    In this extract, Mr M leaves Thami and Isabel alone because he is  going to a choir practice. (1) 

4.1.5 Discuss the theme of friendship as evident in this extract. (3)
4.1.6 Thami can be admired. Discuss your view. (3)
AND

4.2 EXTRACT H 
[Thami tells Isabel that he is quitting the quiz competition.] 

THAMI: In the eyes of the location … yes! My world is also changing, Isabel. I’m breaking the boycott by being here. The Comrades don’t want any mixing with whites. They have ordered that contact must be kept at a minimum. 
ISABEL: And you go along with that? 5
THAMI: Yes. 
ISABEL: Happily! 
THAMI: [Goaded by her lack of understanding] Yes! I go along happily with that!! 
ISABEL: Man Thami, this great Beginning of yours sounds like… 10 [Shakes her head] … I don’t know. Other people deciding who  can and who can’t be your friends, what you must do and what  you can’t do. Is this the Freedom you’ve been talking to me  about? That you were going to fight for? 
[Mr M enters quietly. His stillness is a disturbing contrast to the 15 bustle and energy we have come to associate with him.] Don’t let me interrupt you. Please carry on. 
MR.M: [To Thami] I’m most interested in your reply to that question. [Pause] I think he’s forgotten what it was, Isabel. Ask him  again. 20
ISABEL:  [Backing out of confrontation] No. Forget it. 
MR.M: [Persisting] Isabel was asking you how you managed to  reconcile your desire for Freedom with what the Comrades are  doing. 
ISABEL:  I said forget it, Mr M. I’m not interested any more. 25 
MR M: [Insistent] But I am. 

[Act 2, Scene 1] 

4.2.1 Refer to lines 1–4 (‘In the eyes … at a minimum’). 

  1. Explain how Thami’s world changes. (2)
  2. What do these lines reveal about Thami’s commitment to the  struggle? (2) 

4.2.2 Refer to line 5–10 (‘And you go … yours sounds like …’). 

  1. Identify Isabel’s tone in this line. (1)
  2. Why is Isabel’s tone appropriate in this line? (2)
  3. Refer to line 10 (‘Man Thami, this … yours sounds like …’).
    Choose the correct answer to complete the following sentence. 
    Write only the letter (A–D) next to the question number  (4.2.2(c)) in the ANSWER BOOK.
    The ‘great Beginning’ is an example of a(n) …
    1. Sarcasm.
    2. euphemism.
    3. antithesis.
    4. apostrophe. (1) 
  4. Why is this figure of speech appropriate when referring to  Thami at this point in the drama? (2) 

4.2.3 Refer to lines 11–14 (‘Other people deciding … to fight for’). Discuss the irony in these lines. (2) 
4.2.4 What does this extract reveal about Isabel’s character? Explain your  answer. (2) 
4.2.5 Do you think Mr M has successfully achieved his ambition of  liberating his learners’ minds? Discuss your view. (3) [35] 
TOTAL SECTION B: 35

SECTION C: SHORT STORIES 
In this section questions are set on the following short stories: 

  • TRANSFORMING MOMENTS by Gcina Mhlophe 
  • THE LAST BREATH by Sam Kahiga 

QUESTION 5 
Read the extracts from the TWO short stories and answer the questions set on  each. The number of marks allocated serves as a guide to the expected length of  your answer. 
NOTE: Answer the questions set on BOTH EXTRACTS, i.e. QUESTION 5.1 AND  QUESTION 5.2. 

5.1 ‘TRANSFORMING MOMENTS’ 
EXTRACT I 
[The narrator attends a meeting with Father Fikeni.] 

I had heard of imbongi – a praise poet – but I’d never dreamt that I’d see one in action.  I was staring open-mouthed; even today looking back, I still don’t know exactly how  to describe the feeling I had right then. I only remember that when the man had  finished and people moved forward to congratulate him, I knew I was too tired to even  clap my hands or join in the ululation and whistles. I just sat there and in my dreamy 5 mind saw myself in a kind of similar attire, doing what I had just seen the man do. I  made my decision there and then that I was also a praise poet. That was a beautiful  moment, to think of myself as such. I shook a few people’s hands and the minister  introduced me to the chief, who thanked him for coming and laughingly asked what I  was doing at such a meeting. 10 
And then the poet came to greet Father Fikeni. After their longish chat I was  introduced to him as a very good student – during which time I was frozen and dumb  from disbelief and God knows what else. To feel the poet’s hot, sweaty hand holding  mine I felt baptized as a poet too.  

5.1.1 Complete the following sentences by using the words in the list  below. Write down only the letter next to the question numbers  (5.1.1(a)–5.1.1(d)) in the ANSWER BOOK. 
The narrator in the story is a (a) …year-old girl. She was (b) … of  herself although she was doing (c) … at school. Other girls (d) ... her  because boys were not interested in her. 

sixteen; unsure; liked; poorly; seventeen; sure; teased; well  

(4)
5.1.2 Choose the correct answer to complete the following sentence. Write  only the letter (A–D) next to the question number (5.1.2) in the ANSWER BOOK. 
When the narrator says she ‘was staring open-mouthed’ (line 2) she  means she was … 

  1. frightened.
  2. sleepy.
  3. greedy.
  4. shocked. (1) 

5.1.3 Describe how the narrator feels about herself earlier in the story. Mention  TWO points. (2) 
5.1.4 Refer to lines 12–13 (‘during which time … knows what else’). 

  1. Identify the figure of speech used in this line. (1)
  2. Explain why this figure of speech is appropriate. (2) 

5.1.5 What does the narrator mean by ‘I felt baptised’ in line 14? (2) 
5.1.6 One of the themes in this short story is self-discovery. Discuss this theme. (3) 
5.1.7 Father Fikeni is instrumental in boosting the narrator’s self-esteem. Discuss your view. (3)
AND 

5.2 ‘THE LAST BREATH’ 
EXTRACT J 
[The narrator and his father go home] 

I sank back in my seat. This was hopeless. For how long would Dad keep  on beating home the fact? As if it wasn’t home already – and what was  more, accepted! 
 ‘Then give her eyes.’ My voice was hoarse with anger. 
 A look of surprise momentarily came to Dad’s face. Then he looked grim. 5  Though he didn’t seem to realise it he increased his speed. I thought I  knew what had got hold of Dad, and the thought brought a faint smile on to  my lips.  
 Dad was confused and angry with himself for it. He had until now thought  Eva as a blind, helpless creature who had stolen my heart. Now he had 10 seen her and perhaps caught a glimpse of the angel in her – and had even  seen, perhaps, how very far from helpless Eva was. 
 ‘What are you going to do?’ I asked in a shout, for now the mad roar of  the car would have drowned anything less. 
Dad didn’t reply. A terrible cough shook his frame and the car swerved 15 dangerously to the edge of the road. 
He corrected this (just in time too!) and settled comfortably in his seat. Neither of us talked again till we got back home.  

5.2.1 Where is the narrator and his father coming from? (1)
5.2.2 Refer to line 2 (‘home the fact’). 

  1. What is the ‘fact’ that the narrator is referring to? (1)
  2. Explain how the narrator is showing acceptance of the ‘fact’. (1) 

5.2.3 With reference to the story as a whole, discuss the relationship  between the narrator and his father. (2) 
5.2.4 Refer to lines 10–11 (‘Now he had … angel in her’). Explain the meaning of ‘angel in her’. (1)
5.2.5 Refer to line 13 (‘What are you going to do?’). 

  1.  Identify the narrator’s tone used in this line. (1)
  2. Explain why the narrator’s tone is appropriate. (2)

5.2.6 How does the narrator’s mother feel about Eva? (1)
5.2.7 Quote TWO CONSECUTIVE WORDS from the extract to show that  the narrator’s father is very ill. (1) 
5.2.8 Refer to line 4 (‘Then give her eyes’). In the context of the short story, explain the significance of these  words. (3) 
5.2.9 Do you think the narrator’s father is justified in being discriminatory  towards Eva? Discuss your view. (3) 
TOTAL SECTION C: 35

SECTION D: POETRY 
In this section, questions are set on the following poems: 

  • Alexandra by Mongane Wally Serote 
  • Death by Anonymous 

NOTE: Answer the questions set on BOTH poems, i.e. QUESTION 6.1. AND  QUESTION 6.2. 

QUESTION 6 
6.1 Read the poem carefully and then answer the questions which follow. The number of marks allocated to each question serves as a guide to the  expected length of your answer. 

Alexandra – Mongane Wally Serote

  1. Were it possible to say?
  2. Mother, I have seen more beautiful mothers,
  3. A most loving mother,
  4. And tell her there I will go,
  5. Alexandra, I would have long gone from you. 

  6. But we have only one mother, none can replace,
  7. Just as we have no choice to be born,
  8. We can’t choose mothers;
  9. We fall out of them like we fall out of life to death.

  10. And Alexandra,
  11. My beginning was knotted to you,
  12. Just like you knot my destiny. 
  13. You throb in my inside silences 
  14. You are silent in my heart-beat that’s loud to me. 
  15. Alexandra often I’ve cried. 
  16. When I was thirsty my tongue tasted dust, 
  17. Dust burdening your nipples.
  18. I cry Alexandra when I am thirsty. 
  19. Your breasts ooze the dirty waters of your dongas, 
  20. Waters diluted with the blood of my brothers, your children,
  21. Who once chose dongas for death-beds?
  22. Do you love me Alexandra, or what are you doing to me?

  23. You frighten me, Mama,
  24. You wear expressions like you would be nasty to me, 
  25. You frighten me, Mama, 
  26. When I lie on your breast to rest, something tells me 
  27. You are bloody cruel.
  28. Alexandra, hell 
  29. What have you done to me? 
  30. I have seen people but I feel like I’m not one, 
  31. Alexandra what are you doing to me?
  32. I feel I have sunk to such meekness!
  33. I lie flat while others walk on me to far places.
  34. I have gone from you, many times,
  35. I come back. 
  36. Alexandra, I love you; 
  37. I know 
  38. When all these worlds became funny to me 
  39. I silently waded back to you 
  40. And amid the rubble I lay, 
  41. Simple and back. 

6.1.1 Complete the following sentences by using the words in the list below.  Write down only the letter next to the question numbers  (6.1.1(a)–6.1.1(d)) in the ANSWER BOOK. 

criticism; born; mother; Alexandra; brother; brought;  Johannesburg; admiration  

The poet, Wally Serote is writing about the township (a) … . He calls it  (b) … because he was (c) … there. The poem is a mixture of praise  and (d) … . (4) 
6.1.2 Choose the correct answer to complete the following sentence. Write  only the letter (A–D) next to the question number (6.1.2) in the  ANSWER BOOK. 
The figure of speech used in this poem where the poet creates an  imaginary character is called a(n) … 

  1. antithesis.
  2. apostrophe.
  3. metaphor.
  4. oxymoron. (1)

6.1.3 Refer to lines 2–3 (‘Mother, I have … most loving mother’). Explain why the speaker refers to Alexandra as ‘mother’. (2) 
6.1.4 Explain the difference between what the speaker says about his  mother in the first stanza and what he says about her in the fourth  stanza. (2)
6.1.5 Refer to line 11 (‘My beginning was knotted to you’). 

  1. Identify the figure of speech used in this line. (1) 
  2. Explain why the figure of speech is appropriate. (2)

6.1.6 Discuss the theme of poverty as evident in this poem. (3) 
6.1.7 Do you think the poet has made a truthful assumption about  Alexandra? Discuss your view. (3) 
AND 

6.2 Read the poem carefully and then answer the questions which follow. The  number of marks allocated to each question serves as a guide to the  expected length of your answer. 

Death - Anonymous 

  1. One night as I lay on my bed,
  2. And sleep on fleeting foot had fled,
  3. Because, no doubt, my mind was heavy
  4. With concern for my last journey:

  5. I got me up and called for water,
  6. That I might wash, and so feel better;
  7. But before I wet my eyes so dim,
  8. There was Death on the bowl’s rim,

  9. I went to church that I might pray, 
  10. Thinking sure he’d keep away; 
  11. But before I got on to my feet, 
  12. There sat Death upon my seat. 

  13. To my chamber then I hied, 
  14. Thinking sure he’d keep outside;
  15. But though I firmly locked the door, 
  16. Death came from underneath the floor.

  17. Then to sea I rowed a boat,
  18. Thinking surely Death can’t float;
  19. But before I reached the deep,
  20. Death was captain of the ship. 

6.2.1 Refer to stanza 1. 

  1. Quote THREE CONSECUTIVE words from stanza 1 to prove that  the speaker is deep in thought. (1)
    Other than a sound device used in line 2, there is also a figure of speech  used. 
  2. Identify this figure of speech. (1) 
  3. Explain why this figure of speech is appropriate. (2)
  4. ‘My last journey’ in line 4 is an example of …
    1. alliteration.
    2. assonance.
    3. euphemism.
    4. apostrophe. (1)

6.2.2 Explain why the following statement is FALSE.  The speaker called for water because he was sick. (1)
6.2.3 Refer to stanza 4. 

  1. Quote ONE word which shows that the speaker quickly ran to his  bedroom. (1) 
  2. Explain the irony contained in lines 14–16 (‘but though I …  underneath the door’). (2) 

6.2.4 With reference to the whole poem, explain the speaker’s reaction to  death. (2) 
6.2.5 Explain the meaning of line 20 (‘Death was captain of my ship’). (2)
6.2.6 Why is ‘Death’ written with a capital ‘D’ throughout the poem? (1) 
6.2.7 Do you sympathise with the speaker in this poem? Discuss your view. (3) 

TOTAL SECTION D: 35 
GRAND TOTAL: 70

Last modified on Thursday, 09 December 2021 08:03